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Recitement [Album]

by Stephen Emmer

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  • Compact Disc (CD) + Digital Album

    Recitement is an exciting mix of music and spoken word.

    The combination of pop music and spoken word is a phenomenon in the music history. Recitement contains 17 different compositions in 7 different languages and styles, arranged and composed by composer, arranger and musician Stephen Emmer. Recitement can be characterized as both retro avant garde and accessible.

    On Recitement everything comes together: past and present, death and life, writers and singers, poems and music. Is it Spoken Word Pop? Is it a contemporary audiobook? Or is it music album? Recitement is all of the preceding.

    The album is mixed and mastered in NYC by Tony Visconti and features several musical performers such as Blonde Redhead singer Kazu Makino, jazzmusician Benjamin Herman, legendary pianist Mike Garson (Bowie, Smashing Pumpkins), classical singer Maja Roodveldt, old school rapper Shyrock, Joost Kroon of New Cool Collective and popduo Bauer.

    Vocal performers are Lou Reed, Allen Ginsberg, Sylvia Kristel (Emanuelle), Kurt Schwitters, Jorge Luis Borges, Carlos Drummond de Andrade, Michael Lonsdale, Sacha de Boer, Ken Nordine and Richard Burton.

    Literary sourcetexts are from Charles Baudelaire, Yoko Ono, Samuel Beckett, Alessandro Baricco, Christopher Fry, Gerard Manley Hopkins, Paul Theroux, Victoria Ocampo, Remco Campert, Hugo Claus and Thomas Hardy.

    Includes unlimited streaming of Recitement [Album] via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      €7 EUR

     

1.
Snow is falling everywhere Snow is falling all the time Between a milk-bottle and a beer-can Between Empire State Building and Trafalgar Square Snow is falling everywhere Snow is falling all the time Snow is falling everywhere Snow is falling all the time Only the words break the silence, all other sounds have ceased. If I were silent I’d hear nothing.But I were silent the other sounds would start again, those to which the words have made me deaf, or which have really ceased. But I am silent, it sometimes happens, no, never, not one second. I weep too without interruption. It’s an unbroken flow of words and tears With no pause for reflection. But I speak softer. Snow is falling all the time Snow is falling everywhere
2.
Passengers 03:33
Ever since childhood, when I lived within earshot of the Boston and Maine, I have seldom heard a train go by and not wished I was on it. Those whistles sing bewitchment: railways are irresistible bazaars, snaking along perfectly level no matter what the landscape, improving the mood with speed, and never upsetting your drink. If a train is large and comfortable you don't even need a destination, but I had chosen Asia. Anything is possible on a train: a great meal, a binge, a visit from cardplayers, an intrigue, a good night's sleep, and strangers' monologues framed like Russian short stories. It was my intention to board every train that chugged into view from Victoria Station in London to Tokyo Central; to take the branch line to Simla, the spur through the Khyber Pass, and the chord line that links Indian railways with those in Ceylon; the Mandalay Express, the Malaysian Golden Arrow, the locals in Vietnam, and the trains had bewitching names, the Orient Express, the North Star, the Trans-Siberian. I sought trains; I found passengers.
3.
How to kéep—is there ány any, is there none such, nowhere known some, bow or brooch or braid or brace, láce, latch or catch or key to keep Back beauty, keep it, beauty, beauty, beauty, … from vanishing away? Ó is there no frowning of these wrinkles, rankéd wrinkles deep, Dówn? no waving off of these most mournful messengers, still messengers, sad and stealing messengers of grey? No there ’s none, there ’s none, O no there ’s none, Nor can you long be, what you now are, called fair, Do what you may do, what, do what you may, And wisdom is early to despair: Be beginning; since, no, nothing can be done To keep at bay Age and age’s evils, hoar hair, Ruck and wrinkle, drooping, dying, death’s worst, winding sheets, tombs and worms and tumbling to decay; So be beginning, be beginning to despair. O there ’s none; no no no there ’s none: Be beginning to despair, to despair, Despair, despair, despair, despair
4.
Non ci sono uccelli nel cielo, ne serpenti nella polvere, ne vento a far volare arbusti, ne orrizzonte, niente. È mondo sparito. Lo sceriffo Wister mormora piano: vai all’inferno ragazzo. Vai all’ inferno. Si alza, getta un’ ultimo sguardo verso Dark. Poi si volta, si volta e camminando con fatica....
5.
La beauté 03:10
Je suis belle, ô mortels! comme un rêve de pierre, Et mon sein, où chacun s'est meurtri tour à tour, Est fait pour inspirer au poète un amour Eternel et muet ainsi que la matière. Je trône dans l'azur comme un sphinx incompris; J'unis un coeur de neige à la blancheur des cygnes; Je hais le mouvement qui déplace les lignes, Et jamais je ne pleure et jamais je ne ris. Les poètes, devant mes grandes attitudes, Que j'ai l'air d'emprunter aux plus fiers monuments, Consumeront leurs jours en d'austères études; Car j'ai, pour fasciner ces dociles amants, De purs miroirs qui font toutes choses plus belles: Mes yeux, mes larges yeux aux clartés éternelles!
6.
If there’s an absolute white And there is, And if there’s an absolute black And there is, Then follows that there must be an absolute grey. Absolute grey is the perfect grey There’s the same distance from Absolute white as it is from absolute black Not whitegrey or blackgrey But absolutely perfect grey White, Black, Grey White, Black, Grey White, Black, Grey.
7.
In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres. Over the mirrors meant To glass the opulent The sea-worm crawls--grotesque, slimed, dumb, indifferent. Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind Dim moon-eyed fishes near Gaze at the gilded gear And query: "What does this vaingloriousness down here?". . . Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything Prepared a sinister mate For her--so gaily great-- And as the smart ship grew In stature, grace, and hue In shadowy silent distance grew the Iceberg too. Alien they seemed to be: No mortal eye could see The intimate welding of their later history. And each one hears, And consummation comes, And jars the two hemispheres
8.
He stretched his hand upon it. At his touch It lifted to its place. There was no sound I cried out, and I cried at last “Who are you?” I heard him say “I was a carpenter....”
9.
Everness 02:31
Sólo una cosa no hay.Es el olvido. Dios, que salva el metal, salva la escoria Y cifra en Su profética memoria Las lunas que serán y las que han sido, Ya todo está. Los miles de reflejos Que entre los dos crepúsculos del día Tu rostro fue dejando en los espejos Y los que irá dejando todavía Y todo es una parta del diverso Cristal de esa memoria, el universo; Sólo del otro lado del ocaso Verás los Arquetipos y Esplendores.
10.
Gaan 04:50
Ik zal gaan O met genoegen zal ik gaan Met diepe vreugde en trompetgeschal Ik zal gaan Als jij roept zal ik gaan Mijn werk, mijn eten en mijn handen zal ik laten staan Als jij roept zal ik gaan Als jij roept in de morgen, in de middag, in de avond In mijn dromen, in mijn waken Als jij roept zal ik gaan Ik zal gaan Al breken ze mijn benen Al moet ik kreupel gaan Engelen binden dan mijn wagen vleugels aan Ik zal gaan
11.
Disconnected 03:16
I am victim of telephones When I lay down to sleep dream the Wishing Well it rings "Have you a new play for the brokendown theater?" When I write in my notebook poem it rings "Buster Keaton is under the brooklyn bridge on Frankfurt and Pearl . . ." When I unsheath my skin extend my cock toward someone's thighs fat or thin, boy or girl Tingaling—"Please get him out of jail . . . the police are crashing down" When I lift the soupspoon to my lips, the phone on the floor begins purring When I muse at smoke crawling over the roof outside my street wisdom purifying Eternity with my eye observation of grey vaporous columns in the sky ring ring "Hello this is Esquire” When I lift the soupspoon to my lips, the phone on the floor begins purring "Hello it's me—I'm in the park two broads from Iowa . . . nowhere to sleep last night . . . hit 'em in the mouth" ringing at dawn ringing all afternoon ringing up midnight ringing now forever ringing now forever ringing now forever ringing now forever.
12.
L’amour de Kate aurait été pour Vincent la fin d’un exil Qui durait depuis l’enfance C’était la réconciliation avec les paisibles paysages de la Hollande C’était l’entrée tardive dans un royaume masculin interdit Mais, c’était aussi la réconciliation avec lui-même Car dès l’enfance il avait peur de lui Dès l’enfance il redoutait le gouffres ou la provocation des autres Et au moment où il rencontre Christiane, celle qu’il appellera sienne Les images de cet amour apparamment maudit pour Kate Ne cessent de se mêler à celles de cet attachement rédempteur pour la pauvre prostituée.
13.
É sempre no passado aquele orgasmo É sempre no presente aquele duplo É sempre no futuro aquele pânico É sempre no meu peito aquela garra É sempre no meu tédio aquele aceno É sempre no meu sono aquela guerra É sempre no meu trato o amplo distrat Sempre na minha firma a antiga fúria Sempre no mesmo engano outro retrato É sempre nos meus pulos o limite É sempre nos meus lábios a estampilha É sempre no meu não aquele trauma Sempre no meu amor a noite rompe Sempre dentro de mim meu inimigo É sempre no meu sempre a mesma ausência
14.
Soms bidden om een kwieke dood Want wat waarde heeft moet schooien Terwijl onbenul wordt aangepookt Kan waarheid bij ons niet rooien De raketten van een schandelijke legering Worden gecelebreerd De wetten van een ontrouwe regering Worden gecostumeerd Het goede is doodmoe Het kwaad is commandant Adieu, moeras van mijn land Ik wil zinken als een steen Waarom ik het niet doe Ik laat haar, nog niet alleen
15.
Balcon, balcon de France Nous regardions les sebres étrangers Et paraissant trop bleu dans le lointain Un lac brillait, du Sebre et du Sorssal Nous goûtions mieux d’une patrie plus vide Il n’y a pas un seul palmier, disais-je Des chants d’oiseaux ne nous réveillent plus Avec les eaux boueuses, les marides. Ah notre fleuve sans mesure et brun À l’absence fidèle, quoiqu’ingrate Rentré chez moi je me sens étrangère Me manque le balcon (bis) Mort le palmier Mes sebres manquent à ma boueuse porte Ah, le lac était bleu Et que des roses
16.
Fümms bö wö tää zää Uu, pögiff, kwii Ee. Ooooooooooooooooo, dll rrrrrr beeeeee bö,dll rrrrrr beeeeee bö fümms bö, beeeeee bö fümms bö wö, bö fümms bö wö tää, fümms bö wö tää zää Uu: Fümms bö wö tää zää Uu, pögiff, kwii Ee. Dedesnn nn rrrrrr, li Ee, mpiff tillff too,tillll, Jüü Kaa? Tinnzekete bee bee nnz krr müü? Ziiuu ennze, ziiuu rinnzkrrmüü,rakete bee bee. Rrummpff tillff tooooo? Ziiuu ennze ziiuu nnzkrrmüü, Ziiuu ennze ziiuu rinnzkrrmüü rekete bee bee? Rakete bee zee. Fümms bö wö tää zää Uu, Uu zee tee wee bee fümms. Rakete rinnzekete rakate rinnzekete rakete rinnzekete rakete rinnzekete rakete rinnzekete rakete rinnzekete Beeee bö.
17.
Snow is falling everywhere Snow is falling all the time Between a milkbottle and a beer-can Between Empire State Building and Trafalgar Square Snow is falling everywhere Snow is falling all the time Snow is falling everywhere Snow is falling all the time Only the words break the silence, all other sounds have ceased. If I were silent I’d hear nothing.But I were silent the other sounds would start again, those to which the words have made me deaf, or which have really ceased. But I am silent, it sometimes happens, no, never, not one second. I weep too without interruption. It’s an unbroken flow of words and tears With no pause for reflection. But I speak softer, Snow is falling all the time Snow is falling everywhere

about

Recitement is an exciting mix of music and spoken word.
The combination of pop music and spoken word is a phenomenon in the music history. Recitement contains 17 different compositions in 7 different languages and styles, arranged and composed by composer, arranger and musician Stephen Emmer. Recitement can be characterized as both retro avant garde and accessible.

On Recitement everything comes together: past and present, death and life, writers and singers, poems and music. Is it Spoken Word Pop? Is it a contemporary audiobook? Or is it music album? Recitement is all of the preceding.

The album is mixed and mastered in NYC by Tony Visconti and features several musical performers such as Blonde Redhead singer Kazu Makino, jazzmusician Benjamin Herman, legendary pianist Mike Garson (Bowie, Smashing Pumpkins), classical singer Maja Roodveldt, old school rapper Shyrock, Joost Kroon of New Cool Collective and popduo Bauer.

Vocal performers are Lou Reed, Allen Ginsberg, Sylvia Kristel (Emanuelle), Kurt Schwitters, Jorge Luis Borges, Carlos Drummond de Andrade, Michael Lonsdale, Sacha de Boer, Ken Nordine and Richard Burton.

Literary sourcetexts are from Charles Baudelaire, Yoko Ono, Samuel Beckett, Alessandro Baricco, Christopher Fry, Gerard Manley Hopkins, Paul Theroux, Victoria Ocampo, Remco Campert, Hugo Claus and Thomas Hardy.

credits

released March 6, 2015

Special thanks to :

Alex Stemp, Allen Ginsberg, Benjamin Herman, Berend Dubbe, Carlos Drummond de Andrade, Hein Offermans, Hugo Claus, Jac Biko, Joeri Saal, Joost Kroon, Jorge Luis Borges, Kazu Makino, Ken Nordine, Kurt Schwitters, Laurens Kagenaar, Lou Reed, Maja Roodveldt, Manuel Hugas, Maurits de Weert, Michael Lonsdale, Michael Parkinson aka Shyrock, Mike Garson, Pete Whitfield, Remco Campert, Richard Burton, Ruud Breuls, Sacha de Boer, Simon Turner, Sonja van Hamel, Sylvia Kristel, Sylvina Ocampo, Tony Visconti and Yoko Ono.

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Stephen Emmer Amsterdam, The Netherlands

About Maison Melody

"In these historical and difficult times in the year 2020 this is music meant to sooth the pain of social distancing for the isolated listener, made by a composer in self quarantaine."

Stephen Emmer

15 May 2020
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